Seeking to retain his position as CIA director under Hillary, Brennan teamed up with British spies and Estonian spies to cripple Trump’s candidacy. He used their phony intelligence as a pretext for a multi-agency investigation into Trump, which led the FBI to probe a computer server connected to Trump Tower and gave cover to Susan Rice, among other Hillary supporters, to spy on Trump and his people.
John Brennan’s CIA operated like a branch office of the Hillary campaign, leaking out mentions of this bogus investigation to the press in the hopes of inflicting maximum political damage on Trump. An official in the intelligence community tells TAS that Brennan’s retinue of political radicals didn’t even bother to hide their activism, decorating offices with “Hillary for president cups” and other campaign paraphernalia.
The Guardian says that British spy head Robert Hannigan “passed material in summer 2016 to the CIA chief, John Brennan.” To ensure that these flaky tips leaked out, Brennan disseminated them on Capitol Hill. In August and September of 2016, he gave briefings to the “Gang of Eight” about them, which then turned up on the front page of the New York Times.
Were the media not so completely in the tank for Obama and Hillary, all of this political mischief would make for a compelling 2016 version of All the President’s Men. Instead, the public gets a steady stream of Orwellian propaganda about the sudden propriety of political espionage. The headline writers at Pravda couldn’t improve on this week’s official lie, tweeted out by the Maggie Habermans: “Susan Rice Did Nothing Wrong, Say Both Dem and Republican House Aides.”
REPORT: John Brennan Colluded With Foreign Spies to Falsify Trump-Russia Connections
In a damning report originally stemming from the Guardian, and then picked up by the American Spectator, it has been confirmed that former CIA director John Brennan colluded with British and Estonian spies who sought to both to manufacture Trump-Russia ties and bring down Trump’s candidacy as a whole. Via The American Spectator:
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